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From: YouTube Fundraising and Benefactors Alexander Santiago-Jirau Fundraising and Benefactors Winston Churchill Foundation Australia Play Video Open Document Michael McSweeney

From: YouTube Relaxed Performances and Social definition of Disability Paul Brewster McGinley My introduction to community theatre came through the work of Ann Jellicoe, probably the most influential writer and director working in the field and the woman who is still most closely identified with the notion of the ‘community play’. Indeed Jellicoe’s own book Community Plays: How To Put Them On, published in 1987 is still the only available text that provides any kind of blue print for the creation of community theatre; (I know three of the people in the photograph on the front of this book – Mr Carlyon was the father of one of my best friends and Mrs Hill still works in a shop in my home town of Colyton. I have always been a little bit frustrated by this cover though – for I was standing just behind Alexandra, and yet somehow missed out on being included in the image). Winston Churchill Foundation Australia Play Video Open Document Michael McSweeney

From: YouTube WTF - Williamstown Theatre Festival Hayley Sherwood The established Williamstown Theatre Festival realised they needed to connect more with the community in the rural area that hosted them. The programs that followed are an inspiration. Winston Churchill Foundation Australia Play Video Open Document Michael McSweeney

From: YouTube What is Theatre Alexander Santiago-Jirau What is Theatre Winston Churchill Foundation Australia Play Video Open Document Michael McSweeney

From: ReadingList Arts-based Community Development: Mapping the Terrain Cleveland, William JUNE 27, 2016 ~ COMMUNITYTHEATREPLAYWRIGHT ​ Play Video Open Document Cleveland, William

< Back Renewable Energy Program This is placeholder text. To change this content, double-click on the element and click Change Content. This is placeholder text. To change this content, double-click on the element and click Change Content. Want to view and manage all your collections? Click on the Content Manager button in the Add panel on the left. Here, you can make changes to your content, add new fields, create dynamic pages and more. You can create as many collections as you need. Your collection is already set up for you with fields and content. Add your own, or import content from a CSV file. Add fields for any type of content you want to display, such as rich text, images, videos and more. You can also collect and store information from your site visitors using input elements like custom forms and fields. Be sure to click Sync after making changes in a collection, so visitors can see your newest content on your live site. Preview your site to check that all your elements are displaying content from the right collection fields. Power in Numbers 30 Programs 50 Locations 200 Volunteers Project Gallery Previous Next

From: YouTube Community theatre with the 65+ age group Hayley Sherwood Community theatre with the 65+ age group Winston Churchill Foundation Australia Play Video Open Document Michael McSweeney

From: YouTube An emphasis on developing theatrical artists Alexander Santiago-Jirau An emphasis on developing theatrical artists Winston Churchill Foundation Australia Play Video Open Document Michael McSweeney

From: ReadingList The Radical in Performance, Between Brecht and Baudrillard Baz Kershaw 1999. The Radical in Performance investigates the crisis in contemporary theatre, and celebrates the subversive in performance. It is the first full-length study to explore the link between a western theatre which, says Kershaw, is largely outdated and the blossoming of postmodern performance, much of which has a genuinely radical edge. In staying focused on the period between Brecht and Baudrillard, modernity and postmodernism, Baz Kershaw identifies crucial resources for the revitalisation of the radical across a wide spectrum of cultural practices. This is a timely, necessary and rigorous book. It will be a compelling read for anyone searching for a critical catalyst for new ways of viewing and practising cultural politics. Routledge Play Video Open Document Paul Maunder

From: ReadingList Mind the Gap A transatlantic, intergenerational theatre project (2020) Gill Foster The process of making and unmaking community is vividly illuminated in the work of the Cornerstone Theater Company, a Los Angeles-based ensemble founded in 1986. From 1986 to 1991, Cornerstone toured nationwide, working mainly with rural towns to create adaptations of classical texts. A Wild West musical Hamlet was performed with residents of Marmarth, North Dakota (population 190), and The House on Walker River, an adaptation of the Oresteia trilogy, was developed with a Native American reservation in Nevada. Since 1991, Cornerstone has performed with urban communities, developing original shows and adaptations of Western and non-Western texts incorporating local histories and community players. These performances rearticulate distinctions among various urban group and between amateur and professional theater. Youth Theatre Journal, 34:2, 146-157, Play Video Open Document Paul Maunder

From: YouTube Alex’s Inspiration Alexander Santiago-Jirau Alex’s Inspiration Winston Churchill Foundation Australia Play Video Open Document Michael McSweeney

From: YouTube Community Playwriting group Hayley Sherwood Community Playwriting group Winston Churchill Foundation Australia Play Video Open Document Michael McSweeney