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Community Theatre Resources Welcome to our searchable database of theatre resources. You can search by Category, Keywords, words in the Title, Author, and filter your search depending on the type of thing you are looking for - book references, videos or downloadable pdfs. The list is right below the search fields. This is a growing evolving list. If you know of resources that should be shared here, please send them to us via: Contact Search through Videos Printed Resources Reading List Filter by Type Words in Title Search for Author Contributed by... 0 item types selected FIlter all Items Select from Categories Select Category Select by Keywords Aunt Bette's Homemade Pecan Pie Rockin’ Rocky Road Ice Cream Tom’s Heavenly Apple Strudel Joe’s Divine Butter Tarts Clear Keyword/Category Item Title Author: Author Contributor: Contributor This is placeholder text. Item Type To Dowload Page Item Title Author I'm a paragraph. Contributor I'm a paragraph. This is placeholder text. To connect this element to content from your collection, select the element and click Connect to Data. I'm a paragraph. Read More Item Title Author I'm a paragraph. Click here to add your own text and edit me. It's easy Contributor I'm a paragraph. Click here to add your own text and edit me. It's easy. This is placeholder text. To connect this element to content from your collection, select the element and click Connect to Data. I'm a paragraph. Read More

From: YouTube RashDash: Devising Masterclass National Theatre: Movement Helen Goalen and Abbi Greenland of theatre company RashDash lead this movement masterclass, incorporating techniques that can be used by students in the devising process Play Video Open Document

From: YouTube Youth theatre, and supportive connections Hayley Sherwood Youth theatre, and supportive connections Winston Churchill Foundation Australia Play Video Open Document Michael McSweeney

From: ReadingList Mind the Gap A transatlantic, intergenerational theatre project (2020) Gill Foster The process of making and unmaking community is vividly illuminated in the work of the Cornerstone Theater Company, a Los Angeles-based ensemble founded in 1986. From 1986 to 1991, Cornerstone toured nationwide, working mainly with rural towns to create adaptations of classical texts. A Wild West musical Hamlet was performed with residents of Marmarth, North Dakota (population 190), and The House on Walker River, an adaptation of the Oresteia trilogy, was developed with a Native American reservation in Nevada. Since 1991, Cornerstone has performed with urban communities, developing original shows and adaptations of Western and non-Western texts incorporating local histories and community players. These performances rearticulate distinctions among various urban group and between amateur and professional theater. Youth Theatre Journal, 34:2, 146-157, Play Video Open Document Paul Maunder

From: ReadingList Staging America, Cornerstone and Community-based theatre Sonja Kuftinec This captivating studymaps a history and theory of community-based theater in the United States through the Cornerstone Theater Company. Detailing how the performance-making process contributes to an ongoing negotiation of American identity, Sonja Kuftinec investigates community-based theater to trace the historical affiliations of the form and critically examines how community-based theater both enables community and challenges the very notion of “community” as a stable site. Southern Illinois Press Play Video Open Document Paul Maunder

From: YouTube Theatre in it’s context of community Alexander Santiago-Jirau Theatre in it’s context of community Winston Churchill Foundation Australia Play Video Open Document Michael McSweeney

From: YouTube Energising communties Alexander Santiago-Jirau Energising communties Winston Churchill Foundation Australia Play Video Open Document Michael McSweeney

From: YouTube Mind the Gap - Intergenerational theatre Alexander Santiago-Jirau Mind the Gap - Intergenerational theatre Winston Churchill Foundation Australia Play Video Open Document Michael McSweeney

From: ReadingList Local Arts: Community-Based Performance in the United States Jan Cohen-Cruz Ann Jellicoe, the writer, and the ‘community play’ Rutgers University Press Play Video Open Document Paul Maunder

From: ReadingList Community Plays: How to Put Them on Ann Jellicoe Ann Jellicoe, the writer, and the ‘community play’ JUNE 27, 2016 ~ COMMUNITYTHEATREPLAYWRIGHT My introduction to community theatre came through the work of Ann Jellicoe, probably the most influential writer and director working in the field and the woman who is still most closely identified with the notion of the ‘community play’. Indeed Jellicoe’s own book Community Plays: How To Put Them On, published in 1987 is still the only available text that provides any kind of blue print for the creation of community theatre; (I know three of the people in the photograph on the front of this book – Mr Carlyon was the father of one of my best friends and Mrs Hill still works in a shop in my home town of Colyton. I have always been a little bit frustrated by this cover though – for I was standing just behind Alexandra, and yet somehow missed out on being included in the image). VLUU P1200 / Samsung P1200 In many ways Ann Jellicoe and ‘community theatre’ have become synonymous, and her work, which had great success during the eighties and into the nineties, became for many the defining notion of what ‘community theatre’ should be (and, for many, still is). Put very simply it was the idea that the play, a play which was produced by a professional production team and written by a professional writer, would be performed entirely by the community. Google it Play Video Open Document Paul Maunder

From: YouTube Losing oneself, or being present? Acting as an art form Alexander Santiago-Jirau Losing oneself, or being present? Acting as an art form Winston Churchill Foundation Australia Play Video Open Document Michael McSweeney