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  • The Politics of Performance: Radical Theatre as cultural intervention

    1992. The Politics of Performance^ addresses fundamental questions about the social and political purposes of performance through an investigation into post-war alternative and community theatre. It proposes a theory of performace as ideological transaction, cultural intervention and community action, which is used to illuminate the potential social and political effects of radical performance practice. It raises issues about the nature of alternative theatre as a movement and the aesthetics of its styles of production, especially in relation to progressive counter-cultural formations. It analyses in detail the work of key practitioners in socially engaged theatre during four decades, setting each in the context of social, political and cultural history and focusing particularly on how they used that context to enhance the potential efficacy of their productions. The book is thus a detailed analysis of oppositional theatre as radical cultural practice in its various efforts to subvert the status quo. Its purpose is to raise the profile of these approaches to performance by proposing, and demonstrating how they may have had a significant impact on social and political history. From: ReadingList The Politics of Performance: Radical Theatre as cultural intervention Baz Kershaw 1992. The Politics of Performance^ addresses fundamental questions about the social and political purposes of performance through an investigation into post-war alternative and community theatre. It proposes a theory of performace as ideological transaction, cultural intervention and community action, which is used to illuminate the potential social and political effects of radical performance practice. It raises issues about the nature of alternative theatre as a movement and the aesthetics of its styles of production, especially in relation to progressive counter-cultural formations. It analyses in detail the work of key practitioners in socially engaged theatre during four decades, setting each in the context of social, political and cultural history and focusing particularly on how they used that context to enhance the potential efficacy of their productions. The book is thus a detailed analysis of oppositional theatre as radical cultural practice in its various efforts to subvert the status quo. Its purpose is to raise the profile of these approaches to performance by proposing, and demonstrating how they may have had a significant impact on social and political history. Routledge Play Video Open Document Paul Maunder

  • Staging America, Cornerstone and Community-based theatre

    This captivating studymaps a history and theory of community-based theater in the United States through the Cornerstone Theater Company. Detailing how the performance-making process contributes to an ongoing negotiation of American identity, Sonja Kuftinec investigates community-based theater to trace the historical affiliations of the form and critically examines how community-based theater both enables community and challenges the very notion of “community” as a stable site. From: ReadingList Staging America, Cornerstone and Community-based theatre Sonja Kuftinec This captivating studymaps a history and theory of community-based theater in the United States through the Cornerstone Theater Company. Detailing how the performance-making process contributes to an ongoing negotiation of American identity, Sonja Kuftinec investigates community-based theater to trace the historical affiliations of the form and critically examines how community-based theater both enables community and challenges the very notion of “community” as a stable site. Southern Illinois Press Play Video Open Document Paul Maunder

  • Improv | Bush Theatre Network

    to generate random Improv scenarios. Copy and paste it into an email to send to your theatre group. Click it again to generate more, as many times as you like! Click here! . You can introduce each part of the scenario to the actors one part at a time. You can have the players using action only, or speech - or any other way you can think of! Copy to Clipboard (You may need to use Ctl-C)

  • Care and support

    Pastoral Care - in a community theatre sense - is about looking after the individual participant From: YouTube Care and support Hayley Sherwood Pastoral Care - in a community theatre sense - is about looking after the individual participant Winston Churchill Foundation Australia Play Video Open Document Michael McSweeney

  • Mind the Gap - Intergenerational theatre

    Mind the Gap - Intergenerational theatre From: YouTube Mind the Gap - Intergenerational theatre Alexander Santiago-Jirau Mind the Gap - Intergenerational theatre Winston Churchill Foundation Australia Play Video Open Document Michael McSweeney

  • Fundraising and Benefactors

    Fundraising and Benefactors From: YouTube Fundraising and Benefactors Alexander Santiago-Jirau Fundraising and Benefactors Winston Churchill Foundation Australia Play Video Open Document Michael McSweeney

  • Giant Shows and Spectaculars

    Hayley talks about writing for your home town From: YouTube Giant Shows and Spectaculars Hayley Sherwood Hayley talks about writing for your home town Winston Churchill Foundation Australia Play Video Open Document Michael McSweeney

  • Mike McSweeney | Bush Theatre Network

    About Michael McSweeney Michael is an amateur playwright, producer, and actor. He likes writing about things connected to life and history in his community. He has been involved in community theatre and singing since he was small. Michael is a Fellow of the Winston Churchill Memorial Fellowship, and has participated in the Australian Rural Leadership Foundation program. He holds a B. Social Work and a Masters of Applied Mental Health. Winston Churchill Memorial Page

  • Writing group - community playwright

    From: YouTube Writing group - community playwright Hayley Sherwood Winston Churchill Foundation Australia Play Video Open Document Michael McSweeney

  • People in Community Theatre

    How do we relate to each other in Community Theatre? From: YouTube People in Community Theatre Hayley Sherwood How do we relate to each other in Community Theatre? Winston Churchill Foundation Australia Play Video Open Document Michael McSweeney

  • Renewable Energy Program | Bush Theatre Network

    < Back Renewable Energy Program This is placeholder text. To change this content, double-click on the element and click Change Content. This is placeholder text. To change this content, double-click on the element and click Change Content. Want to view and manage all your collections? Click on the Content Manager button in the Add panel on the left. Here, you can make changes to your content, add new fields, create dynamic pages and more. You can create as many collections as you need. Your collection is already set up for you with fields and content. Add your own, or import content from a CSV file. Add fields for any type of content you want to display, such as rich text, images, videos and more. You can also collect and store information from your site visitors using input elements like custom forms and fields. Be sure to click Sync after making changes in a collection, so visitors can see your newest content on your live site. Preview your site to check that all your elements are displaying content from the right collection fields. Power in Numbers 30 Programs 50 Locations 200 Volunteers Project Gallery Previous Next

  • Theatre in it’s context of community

    Theatre in it’s context of community From: YouTube Theatre in it’s context of community Alexander Santiago-Jirau Theatre in it’s context of community Winston Churchill Foundation Australia Play Video Open Document Michael McSweeney

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